Set in early 1900s Vienna, illusionist extraordinaire Eisenheim (Edward Norton, “American History X”) falls for an aristocrat (Jessica Biel, “Total Recall”) well above his social standing. The master magician employs his powers to win her love and his daring scheme creates tumult within the monarchy and ignites the suspicion of Chief Inspector Uhl (Paul Giamatti, “Sideways”).
It is based loosely on Steven Millhauser’s short story “Eisenheim the Illusionist“. The film tells the story of Eisenheim, a magician in turn-of-the-century Vienna, who reunites with his childhood love, a woman far above his social standing. The film also depicts a fictionalized version of the Mayerling incident.
In 1900s Vienna, mesmeric entertainer Eisenheim’s magical abilities are wowing the crowds, with an act that ranges from mere tricks to an apparent capacity to raise the dead. However, he has also long been in love with Duchess Sophie von Teschen, which puts him in dangerous competition with the violent, scheming Crown Prince Leopold, who jumps at the opportunity to have the magician arrested grounds of necromancy.
Millhauser was born in New York City, grew up in Connecticut, and earned a B.A. from Columbia University in 1965. He then pursued a doctorate in English at Brown University. He never completed his dissertation but wrote parts of Edwin Mullhouse and From the Realm of Morpheus in two separate stays at Brown. Between times at the university, he wrote Portrait of a Romantic at his parents’ house in Connecticut. His story “The Invention of Robert Herendeen” (in The Barnum Museum) features a failed student who has moved back in with his parents; the story is loosely based on this period of Millhauser’s life.
Until the Pulitzer Prize, Millhauser was best known for his 1972 debut novel, Edwin Mullhouse. This novel, about a precocious writer whose career ends abruptly with his death at age eleven, features the fictional Jeffrey Cartwright playing Boswell to Edwin’s Johnson. Edwin Mullhouse brought critical acclaim, and Millhauser followed with a second novel, Portrait of a Romantic, in 1977, and his first collection of short stories, In The Penny Arcade, in 1986.
Possibly the most well-known of his short stories is “Eisenheim the Illusionist” (published in “The Barnum Museum”), based on a pseudo-mythical tale of a magician who stunned audiences in Vienna in the latter part of the 19th century. It was made into the film, The Illusionist (2006).
Millhauser’s stories often treat fantasy themes in a manner reminiscent of Poe or Borges, with a distinctively American voice. As critic Russell Potter has noted, “in (Millhauser’s stories), mechanical cowboys at penny arcades come to life; curious amusement parks, museums, or catacombs beckon with secret passageways and walking automata; dreamers dream and children fly out their windows at night on magic carpets.”
Millhauser’s collections of stories continued with The Barnum Museum (1990), Little Kingdoms (1993), and The Knife Thrower and Other Stories (1998). The unexpected success of Martin Dressler in 1997 brought Millhauser increased attention. Dangerous Laughter: Thirteen Stories made the New York Times Book Review list of “10 Best Books of 2008” .